So I'm gonna add a gray layer just so I can show you this.
ADVANCED PORTRAIT RETOUCHING LISA CARNEY FULL MOVIE HOW TO
Bulk? I don't know quite how to say this, is to simply use soft light. I do it a lot in entertainment, and a quick way of adding some. You always have to add volume or take away volume. It's all about time and money, isn't it? All right, I hope I don't offend anybody, but it's always boob watch. It's embarrassing sometimes, but there you go. You'd be amazed at what people will take for a job. I literally just painted lights and darks. I had to actually paint folds in the tablecloth, and the client didn't have much money, so what we ended up doing is I didn't work the fabric. I've only ever had to do it on a tablecloth. If you have to do folds, and you have to actually give someone folds, you can do it this way too. Can you see that? So you can paint it out in an area, if that helps. I'm gonna kind of do it heavy so you can see. Actually I may not have put enough of a curve. You just paint the curve out of the thigh, so the thigh has a highlight, or you paint a highlight on. So I'm gonna illustrate this with myself, let's say you have someone you want to darken them, you may have a thigh coming out.
So curves, you can do them lighter or smaller. It's really basic but it's really all you need. But when you just paint it in, into the area, then you decide how light or dark do you need it. It looks horrible when you look at the whole file. I bring down the highlights, and I paint it in. And what I do is I generally just take a standard contrast straight up in the regular curves. So how this is done is, you guessed it 'cause I love them, (singing) curves, glorious curves. So I'm gonna add contour, and contouring is nothing but lights and shadows. For the purpose of this class, I think you get the idea. When you body shape with masking, you have to watch out if you have a bubble, like that, and you have a highlight and a shadow, you might have to go in and lighten the shadow, because it's an unexplained bump, like, why is there a shadow there? Doesn't make sense. So the blur of the original, you want your edging to have the same blur, otherwise it's going to look cookie-cutter and scissor-y. The one caveat, by the way I do want to make sure, is make sure you watch your blur of your edge when you're masking. Very simple, you just go in, it's nothing exciting. All right, now the next thing I want to talk about. Also, you know what I would say to you guys, for those of you who are working with new clients and you're not entirely certain of what the client wants, that's a good way of doing it because you can provide image A and image B, and you can undo it very quickly. Double mask - it's a very fast way of doing it, and if you're slow at drawing a mask, or it's a problem for you, do it that way. "I want her to have bottom back." It's done. That way, if the client comes back and says, "I don't want her to look like a Lilliputian. They will put it in another layer set, and then they will mask that out. What they will do is they will mask the figure to her actual form, the regular form, not trim, nothing. Folks who are uncomfortable with the process of masking, like it's uncomfortable, it's hard for them to get a good mask. Folks who are uncomfortable drawing a path again will double-mask their item. I personally am not afraid to have to re-draw this. You understand what I'm saying? It's really easy. Select her hiney-hiney, and fill it back in with white. (swish) I'm doing this very quickly, just to illustrate a point. "Put her bottom back," you could go back in, re-draw your path, if you saved it with a path, if you did it with path or an airbrush.
What I mean by that, if the client comes back and says, "Girl, you lost your mind. So, number one way o.į doing body shaping, and the easiest way to do body shaping, is with the mask, and it is flexible. Do you remember I brought the hair back in? It's the same process, you're gonna only just do that on the hips. Other people's job flows might not, so if you are not putting it on, if you are not masking it out, you would do the same process only you'd be re-touching the background into the dress, as opposed to masking the dress out. So for me, masking makes a lot of sense because I'm always putting it on a separate background. I would say a good 80%, if not 90%, of what I do is masked out and stripped onto another background. I'm gonna turn the original back on, and I'm gonna put it at an opacity of 50 so you can see this. This is the most common and easiest way to body shape. Look under her armpit, her waist, her hip. I'm gonna turn this off and on a couple times. One of the ways you can reshape a body is how you mask.
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